This is a row of chooks that hang across the kitchen window. Too fiddly to repeat, so they never made it to my market stall!!
Sunday, 24 June 2007
Kitchen Stuff
This is a row of chooks that hang across the kitchen window. Too fiddly to repeat, so they never made it to my market stall!!
Winter Garden
Birdhouses
Becs Mid-2007 Dance Concert
Water Feature
Saturday, 9 June 2007
Aaahh, me hearties..
Tuesday, 5 June 2007
Chasing Your Dreams by Veronica Weal
There's a weary young boy swimming lap after lap
On a cold windy day after school;
But the grandstand is empty, there's no one to clap
When he finally climbs from the pool.
But his mind remains focused, he blocks out the cold,
And he thinks of a future that gleams
With a brightness reflected by medals of gold -
He's a boy who is chasing his dreams.
There's a waitress who works in a run-down cafe
There's a waitress who works in a run-down cafe
In the town that she always called home,
And she dreams, as she's clearing the dishes away,
About London, and Paris and Rome.
In the evenings she works in the pub, serving beer,
With no time to herself, so it seems;
But she cheerfully strives for a goal that is dear -
She's intent upon chasing her dreams.
On a street in the suburbs a young couple stare
On a street in the suburbs a young couple stare
At the house they are hoping to buy.
It is old and neglected, but what so they care?
They are young, and their hopes are set high.
Though the mortgage and bills wont be easy to pay,
And misfortune may wreck all their schemes,
They are planning extensions, and children one day -
And together they're chasing their dreams.
There's a man who lies still in a hospital bed,
There's a man who lies still in a hospital bed,
And his body is blackened and burned.
He's a volunteer firefighter, left there for dead
When the wind unexpectedly turned.
And his wife prays to Heaven to keep him alive,
As her world falls apart at the seams;
But the staff are amazed at his will to survive -
Single-minded, he's chasing his dreams.
Starving sheep dig for roots in the dirt.
And the owners push scrub - they are doing their best -
But they're beaten, they can't stand the hurt.
Then the rain tumbles down, and their weak new-born lambs
Are submerged by the fast-rising streams;
But the rain keeps on falling, it's filling their dams -
So they'll stay, and rebuild all their dreams.
You need strength when misfortune must be overturned.
You need strength when misfortune must be overturned.
You need courage when put to the test.
When the things that you want are not easily earned,
That's the time for producing your best.
And the bravest are those who will never give in,
For tenacity often redeems;
So they fight to the end, and quite often they win -
For they never give up on their dreams.
There are times when those dreams will be hard to achieve,
There are times when those dreams will be hard to achieve,
There are times when you'll stagger and fall;
But you'll pick yourself up, if you truly believe
You can triumph in spite of it all.
For the goals that you reach for can only be won
If you carry the fight to extremes,
So refuse to give in; Never say that you're done -
And don't ever stop chasing your dreams.
Retail Therapy
Cross-Stitch
Window Boxes
Kitchen Quilt
Sweet Potato & Pumpkin Soup
To serve in bread 'bowls' as above, slice top off bread cob, scoop out chunks of bread from inside and bake in hot oven (210 degrees c) for 5-7 mins. Place on serving plate, ladle soup in and arrange 'lid' and bread chunks around the cob, as soft croutons. Eat bowl after the soup!
Sassasfras Gully Bushwalk
Herb Scrambled Egg
Saturday, 2 June 2007
'Black Swans' by Banjo Patterson
In the Western Park when the day is done,
I watch as the wild black swans fly over
With their phalanx turned to the sinking sun;
And I hear the clang of their leader crying
To a lagging mate in the rearward flying,
And they fade away in the darkness dying,
Where the stars are mustering one by one.
Oh! ye wild black swans, 'twere a world of wonder
For a while to join in your westward flight,
With the stars above and the dim earth under,
Through the cooling air of the glorious night.
As we swept along on our pinions winging,
We should catch the chime of a church-bell ringing,
Or the distant note of a torrent singing,
Or the far-off flash of a station light.
Where the hills are clothed with a purple haze,
Where the bell-birds chime and the songs of thrushes
Make music sweet in the jungle maze,
They will hold their course to the westward ever,
Till they reach the banks of the old grey river,
Where the waters wash, and the reed-beds quiver
In the burning heat of the summer days.
Oh! ye strange wild birds, will ye bear a greeting
To the folk that live in that western land?
Then for every sweep of your pinions beating,
Ye shall bear a wish to the sunburnt band,
To the stalwart men who are stoutly fighting
With the heat and drought and the dust-storm smiting,
Yet whose life somehow has a strange inviting,
When once to the work they have put their hand.
What does it matter for rain or shine,
For the hopes deferred and the gain departed?
Nothing could conquer that heart of thine.
And thy health and strength are beyond confessing
As the only joys that are worth possessing.
May the days to come be as rich in blessing
As the days we spent in the auld lang syne.
I would fain go back to the old grey river,
To the old bush days when our hearts were light,
But, alas! those days they have fled for ever,
They are like the swans that have swept from sight.
And I know full well that the strangers' faces
Would meet us now in our dearest places;
For our day is dead and has left no traces
But the thoughts that live in my mind to-night.
We would grieve for them with a bitter pain,
If the past could live and the dead could quicken,
We then might turn to that life again.
But on lonely nights we would hear them calling,
We should hear their steps on the pathways falling,
We should loathe the life with a hate appalling
In our lonely rides by the ridge and plain.
In the silent park is a scent of clover,
In the silent park is a scent of clover,
And the distant roar of the town is dead,
And I hear once more as the swans fly over
Their far-off clamour from overhead.
They are flying west, by their instinct guided,
And for man likewise is his fate decided,
And griefs apportioned and joys divided
By a mighty power with a purpose dread.
Norman Lindsay
Just a last word on Norman Lindsay from an interview between George Negus and Norman's grand-daughter, Helen Glad on ABC radio.
"I suspect that the gods on Olympus are still trying to get Norman to shut up and get on, and he's, 'I can't talk, I've got to finish a watercolour, I've got to do this and that.'"
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"Norman Lindsay was outrageously talented, outrageously intelligent, outrageously prolific, outrageously bohemian. In fact, many regarded him, and still do, as just plain outrageous. Whether he was writing, painting, drawing, cartooning or just having a chat, he always had a story to tell".
In his own words "Everything I did was 'indecent'. I was "a monstrous fellow". I was out to "violate all popular morality and everything else". I wasn't doing anything of the sort. I cared for nothing but to express myself".
"He had one of those very broad educations which allowed the mind - his mind - to escape into an imaginative world. His day was divided up into watercolours in the morning, oil in the afternoon. When that light changed, he probably was able to get in his 'Bulletin' work. This was probably after he'd finished doing the etchings. Ship models maybe at the weekends".
"Rose was definitely the personification of what he believed was the feminine-dominant - the ideal woman - and she certainly was. She knew innately what was the very best of his work. And I remember as a small child coming up here with Rose - and the back bedroom was not used, it was a sort of store area - and she'd say, "Keep a look out for Pa." And she'd pull a screwdriver out of her apron and go and take the false back off a cupboard. And out would come these wonderful watercolours that she'd kept hidden from him because he was forever giving things away".
"He believed in the creative force of females, as opposed to the destructive potential of maleness".
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"He believed in the creative force of females, as opposed to the destructive potential of maleness".
My Favourite Painting
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To view more of his artwork click on the following link by 'desertqueen' - its like you're standing in the gallery! Very clever.
http://users.bigpond.net.au/desertqueen/gallerymap.htm
Rose Lindsay
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Rose posed for Sydney Long, Antonio Dattilo Rubbo and Fred Leist before she met Norman Lindsay in 1902. By 1903 she was installed in his Rowe Street studio rooms as his model and lover, and they later married. Rose continued as Lindsay’s principal model, becoming possibly the most frequently painted woman in the history of Australian art. She wrote two books on her life, 'Ma and Pa: My Childhood Memories (1963)' and 'Model Wife: my life with Norman Lindsay (1967)'.
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Late in 1912 Rose and Norman had purchased a house and built a studio near Springwood, in the Blue Mountains, which was visited by such well-known figures as 'Banjo' Paterson, Henry Lawson, Dame Nellie Melba and Miles Franklin. On 14 January 1920 at Hawthorn, Strathfield, Rose married Norman with Presbyterian forms. His divorce was made absolute two weeks later. Their children Janet and Helen were born in 1920 and 1922 respectively. Committed to Norman as both his muse and collaborator, Rose spent many hours at the etching press, perfecting her printmaking skills. In addition, she efficiently managed his career, while working on her own creative interests.
Rose and Norman travelled to the United States of America and England in 1931-32. From about 1958 she lived with her daughter Janet at Hunters Hill, Sydney. In her late seventies Rose began to write.Norman died in 1969.
In February 1973 the property at Springwood was purchased by the National Trust of Australia and opened to the public as the Norman Lindsay Gallery and Museum.
Rose Lindsay died on 23 May 1978 at the Caroline Chisholm Nursing Home, Lane Cove, and was cremated. Her two daughters survived her. She was fondly remembered for her dry wit and vivacious temperament.
'The Magic Pudding'
"A peculiar thing about the Puddin' was that, though they had all had a great many slices off him, there was no sign of the place whence the slices had been cut. `That's where the Magic comes in,' explained Bill. `The more you eats the more you gets. Cut-an'-come-again is his name, an' cut an' come again is his nature. Me an' Sam has been eatin' away at this Puddin' for years, and there's not a mark on him".
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..."Round a bend in the road [the noble society of Puddin' owners] came on two low-looking persons hiding behind a tree. One was a Possum, with one of those sharp, snooting, snouting sort of faces, and the other was a bulbous, boozy-looking Wombat in an old long-tailed coat, and a hat that marked him down as a man you couldn't trust tn the fowl yard. They were busy sharpening up a carving knife on a portable grindstone, but the moment they caught site of the travellers the Possum whipped the knife behind him and the Wombat put his hat over the grindstone.
Bill Barnacle flew into a passion at these signs of treachery.
`I see you there,' he shouted.
`You can't see all of us,' shouted the Possum, and the Wombat added, `Cause why, some of us is behind the tree."
Norman Lindsay Gallery & Cafe
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http://www.normanlindsay.com.au/component/option,com_wrapper/Itemid,76/
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